Throw on Lucinda Williams’ new album, Little Honey, and the first thing you hear is the disheveled jumble of a false start. As her band, Buick 6, anxiously waits to kick into the debauched swagger that the opening song is built upon, they all simultaneously jump the gun. Guitars and drums race off in different directions, the timing is all off, and the whole thing collapses under its own anticipation. Realizing their error, they all stop, collect themselves, and launch back into the song, titled "Real Love". This time Buick 6 get it right, and you realize that what initially sounded like a mess is a glorious mess, the kind the Replacements or the Stones might drunkenly stumble into before laying down a bad-ass groove.
And that, to be sure, is a great thing. When Williams lets loose and lets it rock, it’s a glorious, glorious thing. Think, for example, of "Real Live Bleeding Fingers and Broken Guitar Strings" from World Without Tears, a song that would sound perfectly at home on Exile on Main Street. The same holds true for "Real Love", what with its 4/4 beat, rusted twang, and downright nasty riffage? Yeah, it’s nice. Thirty seconds into Williams’ new album, everything feels right with the universe –- and then she opens her mouth. "I found the love I’ve been looking for," she sings, "It’s a real love."
10/14/2008